" O ' N E - BOOK " // PROGRESSiVE- PAiNTiNG

14 Kasım 2012 Çarşamba

" P E R S iA N S O K R A T E S "

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Let' s s e e; i f it can T a l k; from t h e " 4 S i D E s ".. o f the canvas..

(that will m e a n that; i t i s; a MOD E R N ; P A i N T i n g.)

i t w o u l d n ' t be, difficult; t o R E A D those 4 S i D E S o f this painting PERSiAN SOKRATES;

; to the READer; o f A R T- W o r k s, that has a great education and experiance w i t h , " c o n t e m p o rary a r t; " ; R e a d i n g s..(at least contemporary art has m a d e; " very " difficult to read " ; installations and art works; (with very helpfull t e x t s, added to the a r t -work ..) t o educate perfect readers ; o f a r t P i e c e s..

1984 100X70 cm Acrilic + oil o n Paper..

T h i s ; M i g h t have; b e e n ; put , ( on that s i d e only ), to an exhibition.. and it has a name; and a s t o r y; o n i t.. (if ı w a s to listen to the 1.part o f Bethoween' s 5. Symphony..that may too give m e the ; picture o f ; the SYMPHONY; t o o.. b u t there a r e ; 3 p a r t s; m o r e ; to T a l k; about the concept, and the content.(that would b e; a MOD E R N TALKiNG..because, there are not 4 objects; Talking 4 Stories; there..T h e r e is ONE-OBJECT; t h a t, tells u s; itself; from 4 other; a n g l e s.. -4 story Parts that differ from each other; b u t still about ; o n e; OBJECT.. t h a t; i s ; M O D E R N i T E..)

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.....T H A N; M O D E R N; ; PAiNTiNG; ; can b e " F R A M E D "; a s ;

;CONTEMPORARY; P i e c e s; READy-& AUTOMATically; O C C U R E D..

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E v e r y; A R T; W O R K; h a s to; h a v e; ;" S T O R Y " ; a t least; to b e connected; w i t h; human; and the created; n a t u r e; and WORLD, and E A R T H ..

.(even conceptual contemporary a r t; h a s; very specific ; stories..w h e n they place themselves; İ N THE FİELDS O F S C İ E N C E ; -AND PHİLOSOPH..- as they steal rolles and stories; from them- ; t o o. )

... a n d when there a r e; s t o r i e s; t h e r e ; a r e ;b a s i c characters; that carry the story..S O; i n a painting too; t h e r e , a r e ; these; characters, p a i n t e d; or P i c t u r e d..

(give m e ; pictures o f some characters; and I will MAKE-UP; a story upon ,them..)

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AUTOMATiCally - CONTEMPORARy ; p i e c e s; that O C C U R E D:

(but MODERN; has given L i f e; to contemporary; a n d; has M A D E; all contemporary -that are included i n the Concept;-

UNiFiED; i n a TOTAL; S U M..(that may b e said a s Modern Tradition..)____________________________________________

These 3 0; p i e c e s, are l i k e; sonatas w r i t t e n; ; before a SYMPHONy..I m i g h t have; g o to ACADEMy; o f arts; and then; MAKE; t h e s e 30 pieces first; t h e n; C o m b i n e -place- them; i n an ; " ONE-SiDE; TOTAL W O R K.."

... o N the OTHER H a n d; I ' ve written them; a l l ; with m y hands with ALPHABETH; ; o n to papers; & and into my brain, t h a n ; " l e t; T h e m; appear; a s they were f r e e; to T U R N; i n; 4 S i d e s; o f the TUVAL; " as alphabeth letters i n my brain carrying; the subjects of the painting ; freely i n t e r a c t; with ; colors, a s their shapes, o c c u r i n 4 side B A S E S ..THAT i s T H E; MODERN; ; and UNTOUCHED; O C C U R A N C E..i n ART M A K i n g..

MODERNiTy & N E W; ; " B E L i E F " ; i n A R T :________________________________________________

MODERNiTY; a n d; " d e f i n a t i o n able ities " i n s c i e n c e; ; h a s c h a n g e d; t h e W A Y; o f ; " t h e B e l i e f " , too..the n a m e of the N E W; RELiGi O N i s; " to belive i n s c i e n c e..belive i n WHAT; a r e being " d e f i n e d ", b y s c i e n c e..

S O; b e l i e f i n art; ; h a s been " r e N e w e d " ; ; b y MODERNism..a n d modernity, i n s t a l l s; " s c i e n t i f i c definations>;i n a r t; ; instead o f; " figuration " ... -if there i s something that has not been designed a s a f i g u r e; ; than ; that i s ; " w e may; d e f i n e it a s i f; it w a s ; a figure-assumed "..- -figuration ties; " 4 Sided; s h a p e s; o f the Object "; i n t o one side, o n l y; while it is being said that , figure gives some L i b e r t y; to that; O B J E C T.. i f there i s L i b e r t y; then I should say; " d e f i n e; i t; i n m u l t i; WAYs..-

FREE- & Turninig-FRAME i n g; i n MODERN A R T..:___________________________________________________

...i n an Academy e d u c a t i n; o n e of t h e L e s s o n s; i n m a k i n g; a P a i n t i n g; ; is to " place t h e; Subject; o n the t u v a l "..(that means to FRAME; t h e subject o n to; t u v a l surface..) b u t; h e r e in that ; MODERN; P a i n t i n g; FRAME; i s free; and i t is turninig in the art-work; f r e e l y; ; and; that free FRAMing; ; catches; t h e; ; definations; O N E by O N E. -due to scientific, aesthe tics..-

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OTHER; COMPUTER; C O N T E M P O RARization s..

...(real i z a t i o n s..)

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